Asia Folklore Tales of Prince Yamato Take Bilingual Edition English & Spanish

by Muhammad Vandestra

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The insignia of the great Japanese Empire is composed of three treasures which have been considered sacred, and guarded with jealous care from time immemorial. These are the Yatano-no-Kagami or the Mirror of Yata, the Yasakami-no-Magatama or the Jewel of Yasakami, and the Murakumo-no-Tsurugi or the Sword of Murakumo.

Of these three treasures of the Empire, the sword of Murakumo, afterwards known as Kusanagi-no-Tsrugugi, or the grass-cleaving sword, is considered the most precious and most highly to be honored, for it is the symbol of strength to this nation of warriors and the talisman of invincibility for the Emperor, while he holds it sacred in the shrine of his ancestors. Nearly two thousand years ago this sword was kept at the shrines of Ite, the temples dedicated to the worship of Amaterasu, the great and beautiful Sun Goddess from whom the Japanese Emperors are said to be descended. There is a story of knightly adventure and daring which explains why the name of the sword was changed from that of Murakumo to Kasanagi, which means grass clearing.

Once, many, many years ago, there was born a son to the Emperor Keiko, the twelfth in descent from the great Jimmu, the founder of the Japanese dynasty. This Prince was the second son of the Emperor Keiko, and he was named Yamato. From his childhood he proved himself to be of remarkable strength, wisdom and courage, and his father noticed with pride that he gave promise of great things, and he loved him even more than he did his elder son.

Now when Prince Yamato had grown to manhood (in the olden days of Japanese history, a boy was considered to have reached man's estate at the early age of sixteen) the realm was much troubled by a band of outlaws whose chiefs were two brothers, Kumaso and Takeru. These rebels seemed to delight in rebelling against the King, in breaking the laws and defying all authority.

At last King Keiko ordered his younger son Prince Yamato to subdue the brigands and, if possible, to rid the land of their evil lives. Prince Yamato was only sixteen years of age, he had but reached his manhood according to the law, yet though he was such a youth in years he possessed the dauntless spirit of a warrior of fuller age and knew not what fear was. Even then there was no man who could rival him for courage and bold deeds, and he received his father's command with great joy.

La insignia del gran Imperio japonés está compuesta por tres tesoros que han sido considerados sagrados y custodiados con celos desde tiempos inmemoriales. Estos son el Yatano-no-Kagami o el Espejo de Yata, el Yasakami-no-Magatama o la Joya de Yasakami, y el Murakumo-no-Tsurugi o la Espada de Murakumo.

De estos tres tesoros del Imperio, la espada de Murakumo, más tarde conocida como Kusanagi-no-Tsrugugi, o la espada que corta hierba, se considera la más preciosa y la más digna de ser honrada, ya que es el símbolo de la fuerza de este nación de guerreros y el talismán de la invencibilidad para el Emperador, mientras que él lo mantiene sagrado en el santuario de sus antepasados.

Hace casi dos mil años, esta espada se conservó en los santuarios de Ite, los templos dedicados a la adoración de Amaterasu, la gran y hermosa diosa del sol de la que se dice que descienden los emperadores japoneses.

Hay una historia de audacia y audacia caballerescas que explica por qué el nombre de la espada cambió de Murakumo a Kasanagi, lo que significa la limpieza de la hierba.

Una vez, muchos, muchos años atrás, nació un hijo del emperador Keiko, el duodécimo descendiente del gran Jimmu, el fundador de la dinastía japonesa. Este Príncipe fue el segundo hijo del Emperador Keiko, y fue nombrado Yamato. Desde su niñez demostró ser de una fuerza, sabiduría y coraje extraordinarios, y su padre se dio cuenta con orgullo de que prometía grandes cosas, y lo amaba aún más que a su hijo mayor.

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Story Elements

Ratings Factors

Language: No profanity or censor words
Sexual Content: No sexual acts implied or described
Target Audience Age/Stage of Life: Everyone (no target age)
Violence: Death, but minimal violence


Geography: Japan
Realism: World is similar to ours, but plot elements involve fantasy or magic
Setting Type: Fantasy
Time Period: Classical (1,000BC - 399CE)

Main Character

Age: Young Adult
Gender: Male
Race: Asian
Religion: Irrelevant
Sexual Preference: Irrelevant or N/A

Styles & Themes

Humor: Serious
Inspires Reader to Feel: Confident/Self-Motivated
Mysteries & Puzzles: Modest mystery element(s) to story
Pacing: Time to savor, deliberate
Physical Action: Minor and occasional action
Political/Social Commentary: Politics play a minor role
Romance: Significant romantic themes
Genre Fantasy
  • World is similar to ours, but plot elements include magic
  • Fantasy world with low or no magic
  • Fantasy world where magic is prevalent
Setting Type:
  • Fantasy
Time Period:
  • N/A (Fantasy Setting)


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About the author

Muhammad Vandestra

Muhammad Vandestra has been a columnist, artist, health writer, soil scientist, magazine editor, web designer & kendo martial arts instructor. A writer by day and reader by night, he write fiction and non-fiction books for adult and children. He lives in West Jakarta City.

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